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Can you underpower a Strong amp?

Printed From: the12volt.com
Forum Name: Car Audio
Forum Discription: Car Stereos, Amplifiers, Crossovers, Processors, Speakers, Subwoofers, etc.
URL: https://www.the12volt.com/installbay/forum_posts.asp?tid=71556
Printed Date: May 14, 2024 at 6:46 PM


Topic: Can you underpower a Strong amp?

Posted By: bluesdeluxe
Subject: Can you underpower a Strong amp?
Date Posted: January 26, 2006 at 12:24 PM

I'm putting together a system and I'm looking at a PG Xenon 200.4 amp and 1-2 JL Audio 10w1v2 subs. 

https://sonicelectrnix.com/item_2750.html   amp

https://sonicelectrnix.com/item_5161.html  sub

I plan on running the components off the front channels and then either one or two subs off the rear two.  My question is, since the components only need 100 watts and the subs need 150 watts, can I prevent all 200 watts per channel from being used?  Does the input sensitivity regulate this and if so can it be set differently for each channel (lower on the comps and higher on the subs?).   I've read how to set input gain using a volt meter but I'm not sure if that's doing what I think I'm trying to do. 

I could go with the 100.4 amp which I'd have to bridge the two rear channels for enough power on the sub but I figured for $40 more I can upgrade the amp to handle any future system (this is for my system).  Any help would be greatly appeciated. 




Replies:

Posted By: dwarren
Date Posted: January 26, 2006 at 2:38 PM

That amp will be fine for what you are trying to accomplish.

No, you cannot regulate the power being produced by the amp particularly (although backing down the gain will accomplish this to a degree), but the real question is will it harm any of your speakers in this situation? No. You will simply have some head room and will probably be happier to have the extra power to spare in the long run.



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Posted By: bluesdeluxe
Date Posted: January 26, 2006 at 2:55 PM
so what fluctuates between minimal power and full blown 200 watts?  Is it simply the head unit volume and the voltage it sends to the amp?




Posted By: dwarren
Date Posted: January 26, 2006 at 3:09 PM

If you haven't read this yet, give it a good read as I think it may explain what you are asking.



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Posted By: bluesdeluxe
Date Posted: January 26, 2006 at 3:55 PM
okay that site emphasizes that amplifier gain controls are only used to match the head unit's volume control and NOT how much power the amp will produce.  So it seems something else is keeping the speakers from blowing if the amp has more power than the speakers are rated.  Anyone know how to explain this?




Posted By: geepherder
Date Posted: January 26, 2006 at 4:35 PM

You can set the gain using the test tone/mutimeter method.  Do a search here or go to JL Audio's websiste.  Set the gain to the speakers' rated RMS power.  This is assuming that your head unit and amp are a good match (the head unit's outputs don't overdrive the amp's inputs).



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My ex once told me I have a perfect face for radio.




Posted By: stevdart
Date Posted: January 26, 2006 at 6:10 PM

To second what geepherder is saying, you would be setting the gain so that the amp reaches - not the highest output it can supply - but the highest input allowed to the driver.  The amp will reach that point when the head unit volume is at the highest designated clean output (designated, of course, by you after testing for that point.)

In this case of setting gains and deck volume max, you would listen for the clipped signal first with the deck to find that high point.  Then, with the deck at the high point and speakers unloaded from the amp, measure the voltage output of the amp through the speaker terminals.  Use Ohm's Law calculations to find the target voltage that corresponds to your speaker's RMS and set the amp's voltage output to that point.  The JL flash tutorial is a good visual of that procedure. 



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: DYohn
Date Posted: January 26, 2006 at 7:49 PM
Also remember that an amplifier is still capable of producing its max output no matter where the gain control is set.  It all depends on how large a signal it is being fed.

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Posted By: stevdart
Date Posted: January 26, 2006 at 8:00 PM
So, DYohn, I want to be sure I have this right.  The signal being fed to the amp can remain small if the gain is set to a "lower" point than it otherwise should be... as we were saying in the above posts?  (And a bonus question :) - does this result in more headroom in the amp?

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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: geepherder
Date Posted: January 26, 2006 at 8:06 PM

Hahaha.  Smart aleck, or is that a serious question?  If you use the gain to control the amount of power an amp puts out (due to the power limits of the speakers), you can later reset them when you upgrade your speakers for more power which can net you some more volume.  Here's an example of what DYohn is getting at:

Suppose you have an amp that will accept up to a 4 volt input, but you're using an Eclipse deck with an 8 volt output.  Even if you set the gain to minimum, the amp will still produce all the power it's capable of producing.  The solution to this would be to set the gain with the volume on the headunit at a lower setting, thereby limiting it's output rather than using what the deck is capable of putting out.  Let's say you find the volume level where the deck is putting out 2 volts.  You can use that to set your gain, limiting the power output of the amp.



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My ex once told me I have a perfect face for radio.




Posted By: bluesdeluxe
Date Posted: January 26, 2006 at 8:11 PM

I'm familiar for the JL flash instructions as I've looked at that a couple of times. 

Another post that addresses this found at https://www.caraudio.com/vb/showthread.php?t=63933

according to it, the formula is Sqrt(Power*Resistance) = Voltage
In my case, I would use the power I NEED not the power the amp can supply right?  So if 150 is the ideal RMS for the sub (4ohms), squareroot (150x4) = 24.49 volts. 

If this is correct, I'd just dial in 24.49 volts with a dvm at 3/4 total headunit volume using the appropriate sine wave for the subs vs components.  I'm not sure how JL audio believes 3/4 volume is a good starting point but it should work I guess. 

After this is set, will turning up my subvolume on the HU to balance the system level affect this calculation?  It seems if I do it will the system flat, I wouldn't want to increase it at all (past 3/4 volume or using any boosts).  I wonder how you then balance the components and the subs?  Any help at this final stage?  Thanks so much, this has helped me tremendously





Posted By: bluesdeluxe
Date Posted: January 26, 2006 at 8:13 PM

Dope!  I replied too soon, JL's site says you simply turn down the sensitivity on the AMP after everything is reached to the ideal voltage to balance the system. 





Posted By: stevdart
Date Posted: January 26, 2006 at 8:15 PM

(to geepherder...)

No, I'm being serious (for once tonight).  There was a reason DYohn said that.



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: geepherder
Date Posted: January 26, 2006 at 8:18 PM
Looks like we all posted at the same time.  I updated my previous post for a little better understanding.

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My ex once told me I have a perfect face for radio.




Posted By: stevdart
Date Posted: January 26, 2006 at 8:20 PM

...and before I caught the update and was able to delete mine.  Now I have to go back and read everything...

Okay, I gotcha geepherder.  (To see if I got it right..)  It may not always be the case where you can just limit the turn of the gain.  There are times when you also have to limit the volume of the deck.  The test would be, I suppose, if you weren't ABLE to turn the gain down far enough to reach the target voltage (with the deck volume at full).  That's where you have to reset the deck volume to a new, lower high point and then again do the adustment from there.  You would have to strictly control the deck volume level!



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: stevdart
Date Posted: January 26, 2006 at 8:40 PM

bluesdeluxe wrote:

After this is set, will turning up my subvolume on the HU to balance the system level affect this calculation?  It seems if I do it will the system flat, I wouldn't want to increase it at all (past 3/4 volume or using any boosts).  I wonder how you then balance the components and the subs?  Any help at this final stage?  Thanks so much, this has helped me tremendously

You can't increase power output by using fades or balances.  Fading one way just takes away from the other side.   But when it comes to a balance of frequencies...if using the sub fade causes the signal to be larger in the sub frequencies....I can see how that would affect the signal that the sub amp receives.  So it the signal is larger than what you set the amp to, the voltage output should be greater than what you tested it at.  My initial take on this is to set that sub fade control to the highest point before setting the sub amp gain.  Or, if it has it, at the point of '0' or 'flat'.



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: geepherder
Date Posted: January 26, 2006 at 8:47 PM

Yeah, it's not a great way to do it, because the problem is then due to mismatched equipment.  That's just an example of what could happen if you're forced to use that equipment.  The best thing to do would be to change some equipment around.  Maybe a customer brought in their own ebay gear and refused to use anything else.  That's when this would come into play- kind of a "Mickey Mouse" way of "fixing" it. 

At this point you must also explain to the customer how critical it is that they do not turn the volume past what you have dictated, or they could easily smoke their speakers due to their poor choice of equipment.  Then when they do, you can tell them "I told you so" and set them up with new gear.



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My ex once told me I have a perfect face for radio.




Posted By: tcss
Date Posted: January 26, 2006 at 8:50 PM
I've always felt you would want to have the ability to send more then a speaker's rated power to that speaker to give you the suffient power to cover peaks. No?

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There is no such thing as free installation!




Posted By: geepherder
Date Posted: January 26, 2006 at 9:18 PM

I see what you're saying, but here's my take- your ears won't know whether the speakers are recieving 75 watts a piece as opposed to 100 watts a piece.  It may still be possible to exceed a speaker's thermal limits without exceeding it's mechanical limits.  That means it may still sound good because you're not causing your speaker to "bottom out" yet (and the amp is not clipping), but you could be causing too much heat to build up in the voice coil.  When this happens, you can kiss your speaker good bye.  Just because a speaker has a certain rms rating does not mean that you need to feed it that much power.



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My ex once told me I have a perfect face for radio.




Posted By: stevdart
Date Posted: January 26, 2006 at 9:18 PM

So that the amp outputs more than the speaker is capable in RMS terms?  if you use RMS and continuous power handling numbers for the calculations (as in this case), there is room for peaks on both sides (amp and sub).  The amp still peaks at higher voltages and the woofer still handles those higher peaks.  Remember, we are using all-day RMS numbers on both sides. 

So, will the peaked voltages be "cleaner" if the amplifier is stronger than the woofer it feeds?  That, I think, is where a more equal match of equipment makes the most sense...the subwoofer has to produce the sound from that peaked voltage.  It doesn't matter how clean that peak is if the sub can't produce it faithfully.  With this rationale, matching RMS makes the most sense to me.



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: geepherder
Date Posted: January 26, 2006 at 9:21 PM
After some rereading, I see you were referring to peaks, not rms.  I agree with Steve to maximize your system.

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My ex once told me I have a perfect face for radio.




Posted By: DYohn
Date Posted: January 26, 2006 at 10:10 PM
Wow you guys are posting like crazy tonight. posted_image Yea, I believe you both see what I was driving at.  The problem of using an amplifier with too high a power output capability is even if you have carefully set the sensitivity to maintain an average power output in the speaker's safe rating range, a dynamic peak (or using a higher than rated preamp input voltage) can still drive it to its max and exceed the thermal limits of the woofer.  This can fry voice coils even though you may think you are safe.  If one is careful with the gain setting and with the volume control, it is of course possible to use any amp with any speaker but you must always be aware of the limitations you have imposed on yourself and abide by them.  It is always the safest to use speakers with higher thermal ratings than the amplifier is capable of outputting.

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Posted By: bluesdeluxe
Date Posted: January 26, 2006 at 10:15 PM

well it's good to see everyone so interested in a post made by a newbe ; ) 

As for matching systems correctly, I'm going with an entry level system (or a low price system that's been read up on extensively), and I basically want to have some extra amp head room in case I find myself wanting more bass or nicer subs.  Premier-Pioneer head unit/ Phoenix Gold amp/ JL subs can't be a bad first investment!  I guess as everyone has said, it seems if I set everything up correctly I'll simply have more head room for later applications without blowing my subs and I need to set my sub voltage with the HU level up a big or at least in the middle (0). 

As for people having HU that have higher outputs that STILL overload the amp even at lower input gain levels.......is there not something you can put inbetween the two?  Something that would drop the voltage from the HU?   Looks like my HU (P670MP) has a preout of 2.2 volts so I guess I'm not even close to having this problem.  





Posted By: stevdart
Date Posted: January 26, 2006 at 10:46 PM

Two years ago I had the idea of a head unit volume limiter which could be installed and set at the point where the volume shouldn't be turned up past.  Maybe an amber light that switches to red or a real voltage limiter that gives you no choice.  But I'm not an engineer...so 'nuff said 'bout that idea. ( I still don't see one on the market so maybe I should look into this again.)  But what I'm saying, bluesdeluxe, is that the volume knob is the limiter and the person who touches it controls the input voltage.  I cringe when women and girls reach for the volume knob!  "I love that song, TURN IT UP!"

Also this:  yes, set the levels to 0 for the band range of each corresponding amplifier before setting gain with the meter.  Any movement up from the flat 0 point would result only in a reduction to the other outputs, not an increase to that particular output.  0 or "flat" indicates the reference point.

DYohn, good to hear from you on this.  "Thermal ratings" is the part that stupifies me.  When I look at woofer specs I see RMS power, nominal power, max power and of course all the T/S parameters and SPL  How can we look at a woofer specs and see what the thermal power handling capability is?  Is this just one of the power handling specs and I just haven't gotten it yet?  (...which wouldn't be the only thing I haven't gotten yet!...)



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Build the box so that it performs well in the worst case scenario and, in return, it will reward you at all times.




Posted By: haemphyst
Date Posted: January 27, 2006 at 2:48 AM
(Dave, who has been reading with interest, chimes in...) Thermal rating is usually accepted as the RMS rating of the woofer. The phrase "thermal rating" really can't be quantified, 'till ya blow a voice coil... THAT'S the thermal rating... posted_image

That being said, THERMAL limits can be different based on the enclosure type... Vented enclosures, simply because they have a hole to allow fresh air into the enclosure (but this should be ONLY below the tuning point) while MECHANICALLY a lower power handling system (again, below tuning point), can be a higher thermal (or electrical) power handling system. Sealed enclosures are just the opposite - higher mechanical power handling ability, with lower thermal power handling capacity.

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It all reminds me of something that Molière once said to Guy de Maupassant at a café in Vienna: "That's nice. You should write it down."




Posted By: DYohn
Date Posted: January 27, 2006 at 8:31 AM
Yep, that's correct enclosure type and woofer alignment can have a lot to do with the true limits of the system.  But in general, using the so-called "RMS" or continuous power rating of the woofer as the thermal limit is a safe bet, as it (is supposed to) indicate the max current flow the voice coil can safely handle in free air.  Or, to be more precise, I should say it is the max current flow the voice coil can dissipate as heat in free air; thus, the base-line thermal limit.

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Posted By: tcss
Date Posted: January 27, 2006 at 11:32 AM
So another question. If thermal limit equates to RMS power handling is an advanced cooling system like JL's "forced air cooling" responsible for the woofer's power handling or is it voice coil, magnet, ecursion ( spell?) or in other words the mechanical limits of the woofer? Good to hear from you again "Ham Fist"

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There is no such thing as free installation!




Posted By: haemphyst
Date Posted: January 27, 2006 at 12:16 PM
tcss] wrote:

So another question. If thermal limit equates to RMS power handling is an advanced cooling system like JL's "forced air cooling" responsible for the woofer's power handling or is it voice coil, magnet, ecursion ( spell?) or in other words the mechanical limits of the woofer? Good to hear from you again "Ham Fist"

Thermal limit GENERALLY equates to RMS power specification. The RMS IS an electrical specification, so you can mostly take it as a gospel writing when referring to the thermal capabilities of a woofer.

JL's "forced air" is a fancy term for "let's see how much MORE we can charge". However, the benefits to such a mechanism cannot be completely ruled out. As a voice coil heats up, the resistance of it goes up, reducing the power produced by the amplifier, and such a system will simply keep the voice coil temperature more stable - allowing a more consistent response curve in any given enclosure. Truthfully, (IMO) there is little added to the power handling capabilities of these drivers over any other "more conventional" driver SIMPLY because of the "forced air" mechanism. Performance "gains" are likely to be pretty minimal in respect to electrical power handling characteristics. All JL has done is opened up the port in the rear of the woofer for better air circulation around the voice coil. You can see the effect of reduced air cooling by holding a woofer still while powering it... eventually, it'll want to quit! JL has just made sure there is plenty of air around the voice coil.

Power handling is almost EXCLUSIVELY determined by voice coil size. Excursion will play a small factor (longer throw woofers will cool more effectively than a shorter throw unit), and magnet will play an even smaller factor - specifically BECAUSE of magnet size. A larger magnet will generally mandate a larger overall motor structure, which will have more effective heat-sinking capabilities, and this will play more to heat removal than the magnet itself. Another design feature I am seeing in woofers of today is heat-sink ribs built into the motor structure, ala JBL GTi series of woofers - They call it "Differential Drive". (Heard 'em. Sound good... VERY linear sounding woofer. (sorry - no link - lazy today... https://www.jbl.com/car/products/series.aspx?SerId=GTI))

side note I remember Alpine did PRECISELY the same thing a few years back with a component system they had... anybody remember the name of those systems? Duo-drive or something like that... The 6 was a symmetrically driven, finned neo motor structure... end side note

Oh, and thanks for the vote... Good to be back writing on a subject I understand and enjoy... Did you ever call George? I told him you'd be calling, and he did remember you!

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It all reminds me of something that Molière once said to Guy de Maupassant at a café in Vienna: "That's nice. You should write it down."




Posted By: DYohn
Date Posted: January 27, 2006 at 12:21 PM
A woofer system with improved air flow and higher voice coil cooling capacity could indeed increase its thermal limit (and power handling capability) beyond that normally associated with the size and gauge of the VC windings.  Engineering the best possible air flow through the motor structure is a common technique.  The mechanical limits of the woofer are just that: mechanical.  They have to do with either how far the motor can physically move before the coil is out of the magnetic flux, or before the system reaches the physical limits of the suspension (Xmax and Xmech.)

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Posted By: tcss
Date Posted: January 27, 2006 at 12:29 PM
Didn't get a chance to call George, my life has got a lot more complex recently and I'm behind on almost everything. Alpine's components were called DD Drive and I still have a set in my old Benz. I was much more impressed with Alpine's new line and I think I'm going to stick with them over Eclipse ( hear Ham Fist cringe). Always love the knowledge from the "two Daves"

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There is no such thing as free installation!




Posted By: geepherder
Date Posted: January 27, 2006 at 7:37 PM
Wow, this has been a great learning topic.

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My ex once told me I have a perfect face for radio.





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