Yeah, the wife certainly takes priority. Sometimes I forget my mom's birthday. No wait, I *never* forget. I'm not going anywhere so don't skip your anniversary too while trying to visit San Jose. haha!
Thankfully the dash is all back together now, but we must have missed something because there is a wicked squeak on the passenger's side that needs attention.
There are three side effects I would have never thought about when beginning this project. First, and most obviously, my interior must have a dozen new rattles and squeaks in it from the sub trying to rip everything apart. Second, the carpet material gives everything a kind of "new car scent" because it smells like new carpet (pretty neat actually). And third, the quality of the low notes make the 2-way components I have up front sound absolutely terrible. I wasn't planning on replacing the components and adding an amplifier for at least a month or three. Sadly for my bank account, this will have to happen sooner than later. Alright alright, now onto how it sounds.
HOLY CRAP
I've never experienced low frequency extension like this in my car, home theater, any installation at work or anywhere else for that matter. The lowest notes are difficult to detect because they blend in with all the bumps and rumble of the road. When the engine is idling, it has very tiny inconsistencies that cause the RPMs to change ever so slightly. It's not a bad engine, just the normal kind of imperfect huumm.mm.mmm.mm that engines make. The sub hits so low I can't tell which from which. Is the engine sputtering, or is that the music? Is this road really bumpy all of a sudden? No, that *has* to be me, I drive this road every day. I simply don't know what to do with all the low notes, it's new territory for me to explore.
When I was listening to it for the first time in the garage, I swear I looked at the garage door over ten times because I thought someone was opening it. I never hear the garage door opening while listening to music because it's simply not louder than my speakers. But I can always feel it moving because the thing is so heavy and rumbles around a bit. Well, not anymore! The damn sub kept tricking me into thinking it was opening from all the subsonic material I was hearing for the first time in my favorite songs. Unsettling at first, but awesome now that I'm used to it.
I still haven't made a new test CD yet, but I can say that a playing few sine waves from 35hz down to 25hz make no appreciable difference in volume. I don't think the roll-off is going to start until the very low 20's which is exactly what I was hoping for.
The low pass filter on the amp is set to about 55hz which is the highest I'd like to go, but it will have to sit higher for a while until I can get new components. There is a noticeable gap between the 55hz crossover I want and the point where the components start to kick in. This is very easy to hear with something like a bass guitar which spans the low octaves, but something like a kick drum sounds excellent because it's all below the crossover.
Favorite new tracks are London Bridge by Fergie, Step Into The Arena by DJ Ernie, and Busy Child by The Crystal Method. London Bride has two bass rhythms where one is the typical boom boom flavor and the second is an awesome sub-30hz rumble. Step Into The Arena has some marching band drumline action mixed in with the techno driving-music for a really neat effect. There is also a synthed bass line that hits pretty low. Busy Child has a powerful bass introduction that often sounds boomy on a system that isn't setup correctly, but this install nailed it.
Maroon 5's album Songs About Jane is a little bass heavy and kinda boomy in general, so it was nice to hear it being fairly tame and pleasant in the car. Jack Johnson's album Inbetween Dreams has very well balanced bass and played beautifully. Blue Man Group's Audio is one of my all time favorites and reproduced exceptionally. There is an ultra low frequency bass drum used in some of the tracks that is completely inaudible on most systems but the transmission line sure found it. I remember from the live performance how commanding that drum was when hit, and the sub did not dissapoint.
I'm most likely going to grab a measurement microphone from Behringer to use with that Belar FFT I used earlier for some proper measurements, but that won't be for a little while. Until then, I'll be browsing and planning for a fresh mid/tweet install : )
-Justin
Malcom: "This is the captain. We have a...little problem with our engine sequence, so we may experience some slight turbulence and then...explode."
Jayne: "We're gonna explode? I don't wanna explode.