greenbroncoguy wrote:
First of all, let me start out by saying that I'm not going to argue with someone of your stature who admittedly has much more knowledge and experience than I do to bring to the conversation. Perhaps I should have worded my response a little differently... |
|
|
I appreciate the respect shown by that statement, but I'm not everything, and I don't know it all... I never said I was or did. No, please... argue. I am interested in your opinion, and that's part of what makes this the best forum going. We all respect each other's opinions here, and nobody is going to flame you for speaking up.
greenbroncoguy wrote:
EVERYONE's ears perceive sound differently. To me, perfectly RTA flat sounds bad; perhaps I like clipped, over EQ'd, peaky music, but be that as it may, I HAVE heard RTA flat - and as I said, it sounds like ass. I listen to primarily hard rock, classic rock, some rap every now and then when the girlfriend is in the car, and blues as well. |
|
|
I did concede that everybody's ear is different. What you hear is NOT what I hear. I will still maintain that a flat response sounds best to me. I was merely stating (perhaps abruptly) that a blanket statement like "it sounds bad" is NOT the same meaning as "it sounds bad
to me". Modern hard rock and rap, especially, are the biggest offenders of the overprocessing. Take Nickelback's latest. I LOVE that album... Good driving music, awesome lyrics... Just good, plain rock and roll. It could be one of my favorites, a true "guilty pleasure" for me: but the recording is CRAP! Rockstar is SO clipped in places I can hardly listen to it sometimes. Perhaps building a system with the resolution I did put into mine is really a curse... TOO revealing, but I digress. My flat system sounds FANTASTIC with that particular album, and when I feel like I want to "crank it up" a bit more, (and those times DO happen...) I have subwoofer level on the deck! Signal processing? Yes. EQ? TECHNICALLY yes, but my hardware EQs are trunk mounted PC adjusted devices with no way to "tweak", once set... (Not without a PC anyway.) I'm really just adjusting the "tone control".
greenbroncoguy wrote:
A systems' frequecy response that shows up flat on a screen will not be perceived as flat to the human ear, as humans' ears are more sensitive to some frequencies as opposed to others. So, even though your prefectly RTA'd-flat system response appears flat on a computer screen, does NOT mean that all the frequencies being reproduced will be heard at the same levels by your ears - because they won't be. |
|
|
This is the fault, again, of the recording industry. If recorded faithfully, you should not be able to tell the difference between a live session or the recording. If you are seated in the venue during the recording session, you shouldn't know that you are listening to a recording later. This takes a FLAT curve. You have listened SO LONG to overprocessed music you think you are missing out, when you really aren't. A flat RTA should recreate the original performance... You will be missing nothing, and it WILL sound right, I promise you. I grew up going to the orchestra in Grand Rapids, Michigan, (one of the finest orchestras in the nation, at that time - I can't speak for them today - that was 30+ years ago) so I KNOW what full-blown orchestra sounds like, I understand the emotion portrayed. My car DOES sound right, I promise.
greenbroncoguy wrote:
You stated that an RTA should be used to return the system to flat, not to augment the system to ones liking - IMHO that statement is so wrong I can't even believe it was even posted. If you are spending all this money on a stereo system, why would you not want it to sound good to you? Everyone has different tastes, everyone like different things. |
|
|
Well, the RTA is the tool used to make sure the system IS flat, but I understand what you meant...

No, seriously, an EQ should be used as a set-it-and-forget-it device. Fix the anomalies, and never touch it again. EQs can be VERY hard on a system, causing the user to very easily overdrive amplifier inputs, causing all SORTS of bad things to happen. Tone controls are (or really can be) just as bad, but since they are effective on a much wider band of the music, it can be more easily heard, thus alerting the user to "potential damage", before it happens. A very narrow band EQ, like the 31 band device the OP has, can easily hide the overdriven narrow band within the music, and damage can occur quite quickly.
greenbroncoguy wrote:
IMHO, I would RTA the system to flat, and then use your EQ to make minor adjustments to make the system good to YOU. After all, you ARE the one paying for and listening to it, right? |
|
|
I agree... But I also look at things from a deeper, far more technical angle, I think. (Read again, my last paragraph) I am a HUGE fan of "overpowering". ("Headroom is our friend." -- Haemphyst) I don't know if you have read my thread regarding the system presently in my car, but if you have, then you know I am running over 600 WRMS to each of my doors! A mis-adjusted EQ could and would cause VERY rapid, and irreversible damage to some VERY expensive and literally irreplaceable drivers in the hands of the "un-trained". Different points of view, as well as different listening habits, as well as different "personal response" will ALL come into very deep and critical play here.
And that's all we can ask.
It all reminds me of something that Molière once said to Guy de Maupassant at a café in Vienna: "That's nice. You should write it down."