stevdart, I appreciate you taking the time to contribute to this discussion. It is clearly apparent this topic has been difficult with getting some of us to reach an agreement and any kind of conclusive result. I have been going in circles myself and I hope it has not annoyed anyone. Although I don't feel I need to defend my opinions, in my own defense I don't have the luxury of deleting my posts..if I did I would have been able to cut down on my posts quite a bit.
I have reviewed the links you left..as well as doing my own research and going over old notes I took when I was studying electrical engineering in college.
Before I go any further, I would like to say that I find this forum mentally stimulating. I have never meant to insult anyone and I sincerely hope no one has taken anything I have said personally. In the same token, if anyone has issue with me contributing my opinions and experience....no one is forcing you to read it. I am new here but do have enough experience to be of service..I also fully except that I can make mistakes...or have a change of heart. This at times is due to the information that others have left..and I can't see that being a bad thing. It's called debate.
Alrighty...that's out of the way. Back to the task at hand.
In my last post I stated my view..which came down to "it depends". Allow me to explain why.
The OP simply asked if he would realize a noticable increase in bass if he added an indentical sub/amp setup to his existing. To be realistic..with all of this theory and physics and parameters and computer programs and analogies..what does it all mean when we no nothing about the equipment he has?..it's ratings..how it's wired..and an endless host of variables..apparently we all got way off course.
But since this discussion came to this point..we might as well play it out..once again, if anyone doesn't like it..move on, I am happy here and feel comfortable and within my element.
Unless I have missed something..which is quite possible, there are a few things being overlooked..but for now I will only discuss two....phasing and correlation; but along with this comes other interesting and perhaps debatable issues, such as physical distance from source to listener (or mic) and the effect the environment may have on adding or subtracting SPL.
First off for the sake of this thread only...I am going to look at an amp/sub/enclosure unit as a single unit. So...one sub with an amp is one unit...two subs with an amp is also ONE unit. This may help to simplify what I post...in addition we assume all db "additions" to be equal. The math involved to calulate the addition of output with uneven numbers is well beyond the scope of this thread, although it could apply.
In the next example,,what is the total db if we add a steady bass note of a sub measuring 100db on its own with a mic placed on the center of a dashboard..and someone in the vehicle blowing a whistle which also measures 100db own its own? I can say with confidence that you would measure 103db. This is a simplified example of uncorrelated. Now with most music..in stereo, there is a different situation. At times, if we were viewing the sine wave on a scope, we would see overlaps, sometimes the 2 channels would be in phase..other times out of phase..by random and varying degrees. In that case all you can do..at least on paper, is realize an average.
This has nothing to do per say with cone area..the whistle is not a transducer..we are simply looking at sound level..that we can all agree upon, I would hope.
With a correlated system..and I need to use the term "system" since one speaker on its own is not correlating to anything, it is putting out a measurable amout of spl, plain and simple. Without going batty..I will use an example of what the OP should accomplish if he adds the additional and equal amp/sub/enclosure unit. The identical setup (in a perfect world) should measure the same output. That will yield a 3db gain when combined. But IF..and this should be asumed since these are subwoofers and the information is identical as well as 2 speakers in phase...you gain an additional 3db. On a scope the 2 signals would be in phase..so overlapping all the time. So there is no need to avaerage...at all times the speakers are working together.
Where there may be some argument..is if the power is divided..in others words one amp/sub/enclosure "unit" has 50w to it. We then compare TWO amp/sub/enclosure units with 25w to each. I would hypothesize that the original unit has had its power cut in half..hence a 3db loss. But you add another indentical unit and get a 3db gain...back where you started. But..if these to "units" are correlated..you gain an addition 3db. Can you see where I am going with this?
I also have to add..not only does "it depends" deal with the electrical and physical...it also seems to have some weight with whom is lecturing on the subject. For example....one of my professors was a genius when it came to home systems..but with car audio he was a lost soul. Then there are the "engineers" who were basically musicians that had some talent..but lots of drive and intelligence. They are a bitter group, generally..but...they really sacraficed alot to learn everything they could about music and performance.
They as well....look at an amp/speaker/enclosure as a unit. As well they should..many guitar amps are what's known as a "combo" unit..amp speaker and enclosure all in one. Now they will swear up and down on a stack of bibles (I know this first hand..I am a musician as a hobby) that if they want to be heard twice as loud..they need to increase output by 10db (I also hope we all agree on that). So they may look at it this way. They have a 100w amp/speaker combo. To increase the output by 3db..they need another indentical setup. To gain another 3db..4 combos...another 3db.....8 combo,s we are at 9db..so roughly... to double thier loudness they would need to use 10 identical amp/speaker combos to achieve this. But.... all the combo units are playing the same thing..what about correlation? Is it different in a live performance where everyone is in random listening positions..and room sizes vary..dynamics..acoustics..anyone think these metrics come into play?
And as we observe..this is just scratching the surface.
In closing.....do I feel I need computor programs or an engineering degree or expensive measuring equipment to predict if adding another amp/sub/enclosure unit playing a correlated signal at equal power will net a certain db gain in a typical automotive environment?
Perhaps that is the question..but I still say 6db can be expected or, at the very least....the OP can be assured of a substantial "noticable" increase in bass, to put it bluntly.
Ok I am done...thanks to anyone who will listen to me...and thanks for your patience and tolerance, as far as I see it there are plenty of destructive ways to spend some free time so it is nice sharing knowlege and opinions of an industry (or hobby) I enjoy with others.
Custom Audio
Lynbrook NY
ASE/MECP master certified