bellsracer wrote:
haemphyst honey, calm down please... Although your points are relatively valid dear, there are some interesting concepts at work here with possibilities. |
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I was being calm!

You should
see me if I get excited... LOL
bellsracer wrote:
2) This arrangement is due to the design of the mirrored motors. Now logic would dictate that it is a bad setup, but in truth it is no different that traditional speaker setups. It is just presented in a different package. The intelligence of this design is how the stress is distributed through the the sub's assembly. Similar designs are used in high end speakers for concerts. It allows for really high Xmax numbers with little effort. In the case of this 15" they have here, this has 3" total Xmax. Not too shabby honestly. It's essentially basing the design on "throwing" the signal from one motor to another. |
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My logic tells me it is a fine setup, with many benefites (many outlined on the webpage) No, I understand that completely, BUT, as I said there is only one attachment point (in the CENTER) for the voice coil and former, and that is a FLEXIBLE point, called the spider. (I know you you know this, I'm just saying) In a traditional loudspeaker, the voice coil former is REALLY attached to TWO points 1: the spider, and 2: the front of the basket, by virtue of being rigidly attached to the back of the speaker cone. Now, while both of those points ARE still flexible, they are only flexible on ONE axis, not three. It allows in and out motion, the X axis, but SEVERELY limits lateral motion on the Y and Z axis. Looking at the voice coil former in the comotion system, there is NO truly rigid secondary mounting point anywhere in the system. (the best they do, is a rod (and I can almost assure you a lightweight one at that - for reduced moving mass) attached to a likely (somewhat) flexible dustcap...) You can duplicate the comotion former installation by holding a pencil in your hand, (the basket) at one point in space. Using you other hand, you can easily move both ends of that pencil through all three axes, even while holding your OTHER hand stationary. THIS is the situation I am seeing with the voice coil setup in the comotion driver. Rubbing is inevitable, ESPECIALLY under high stress operations, like SPL installs.
bellsracer wrote:
haemphyst wrote:
That's called ISOBARIK, dork, and YOU didn't invent it, like your wording kinda indicates you did... Like I said: "Snake Oil". I will admit, I like the idea, but JBL already has (in my opinion) a "better mousetrap", in their GTi woofers, and Alpine actually did it a few years ago in a mid-bass system. (Anybody here remember that model? Bob? Neo magnet structure, cast magnesium, heatsinked basket... About 5 to 8 years, if I remember correctly) |
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I don't think he was talking about the cones being face to face. It's the motors themselves. As you can see in the design images, the motors work by assisting each other rather than being stacked on each other. This will greatly reduce the heat being emitted and staged on the sub itself as power is constantly applied to it. We've actually been experimenting with this kind of speaker design as well. We've also come up with a design that has no voice former and no magnet as well. (No it isn't electrostatic technology) We're trying to make essentially an inexpensive panel subwoofer. |
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OK, I did get a BIT excited there... After reading his website quote again, he wasn't truly describing iso loading in so many words, BUT he is still describing little more than isobarik loading at the same time. I say this because isobarik DOES that, it just attaches the motors together via an air mass, between the two woofer cones, rather than a push-pull motor structure on the same voicecoil former. That's all I was saying. I am intrigued by your panel sub, though... I've been trying to design such an animal for years. You should SEE the stacks of designs, drawings, and the garagefull of failed attempts! Never tried without a voicecoil, (not necessarily in the traditional "idea" of a voicecoil), but formerless designs were a big hit, in most of my attempts!
bellsracer wrote:
The big flaw to this person's system would be that this sub will have to have a very interesting box for it. The designer claims it is for a sealed box, but that would create all kinds of thermal stress on the cone as it hits hard for SPL. The only real solution for this would be to setup as a reverse mounting sub. |
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Here again, I stress the stresses that are involved with a PROPER SPL system. Even other drivers, using known, PROVEN (albeit WAY beefed-up) technologies, fail, and often with spectacular results, in the HIGHLY mechanically abusive SPL arena. I don't believe the enclosure would be significantly different, as I am sure this particular driver still adheres to known T/S parameters and rules, and I am not certain that thermally there would be anything more to address than any other high powered woofer system. ANY small enclosure, high powered woofer will need thermal management, and I admit freely that reverse monting of the sub is a very good way to deal with that particular issue.
bellsracer wrote:
This technology is different than the GTi. It has potential, but in the end all that matters is that it works. I know this works beautifully in an outdoor setup and it should achieve competitive SPL, but without actually seeing it in action, it'll be hard to tell in an automotive environment. |
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Well, not really different. The
mechanical implementation is different, but the GTI uses dual motors, attached to one voicecoil, in symmetrical opposition, just as this one does. I also don't think I even HINTED that it wasn't going to work, I was really just pointing out what I saw as wrong, (or potentially wrong, depending on your point of view) based on my understanding.
bellsracer wrote:
We give it an 85% successful design based on known technologies, but we've never seen this kind of assembly in a vehicle.
No offense dear, but this guy's "snake oil" seems more like "likely concept" than fiction. I think it is just a misunderstanding. Sadly the website is built for one kind of person: engineer. In this case, the only person who could really understand the WHOLE concept presented here would be someone who is fairly fluent in thermal and mechanical engineering. |
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Please... No offense taken, whatsoever. I used the phrase like I did, to simply describe some of the semi-outlandish claims (that I found). Claims that MIGHT do what is purported, but not without some serious drawbacks. Drawbacks that I described, and you understood. Thank you for YOUR input. While I am NOT a thermal dynamics engineer, I believe I have a very firm understanding regarding mechanics; I have just been interested in it and studied it for quite a few years, and having two friends that ARE full-fledged loudspeaker engineers at Harman, in Northridge, CA, I have a bit more foot-in-the-door, as it were, when it comes to understanding some of the mechanical issues when relating to loudspeaker design and operation.
It all reminds me of something that Molière once said to Guy de Maupassant at a café in Vienna: "That's nice. You should write it down."